Today, the House Natural Resource Committee held a forum titled ‘Confronting a Rising Tide’ where community leaders from the frontlines of the climate migration crisis were asked to share their stories. The voices of those who are experiencing the first and worst impacts of rising sea levels needs to be at the center of policy discussions on how to address the crisis. The panelists explained how their communities are being displaced. From Marshall Islands in the South Pacific to Alaska tribal communities to lose living in the Gulf South, forced displacement because of climate and energy impacts are happening today.
Honorable John M. Silk, Minister of Foreign Affairs, Republic of the Marshall Islands
Deme Naquin of the Isle de Jean Charles Band of Biloxi-Chitimacha-Choctaw
Esau Sinnok, Arctic Youth Ambassador, U.S Chairmanship of the Arctic Council
Colette Pichon Battle, Director/Attorney, Gulf Coast Center for Law & Policy
with closing remarks from, House Natural Resources Ranking Member Raúl M. Grijalva
Beasts of the Southern Wild (2012) is by far the best movie I’ve seen this year. While much credit should be given to the director for the piecing together this incredible story, the 6 year old protagonist blows this film out of the water. Now 8-years-old, Quvenzhané Wallis got some attention for telling off Jay Leno earlier this year. This powerhouse actress does an incredible job pulling in viewers to life in the Bathtub and taking them along for the full ride in a post-Katrina Louisiana.
The movie dances an incredible line of telling the human impacts of climate change without ever becoming didactic or impersonal or ever saying the words climate change. Hushpuppy you are my hero for negotiating fluid and challenging gender roles, surviving a hostile environment, fighting for your home, and not for a second losing an ounce of your humanity.
This movie is a must see, and brilliantly lays out a story of climate migrants. There have been some critiques by Black feminist authors about relegating Black folks to a master narrative of primitive or even savage, but I agree with New Orleanian Jarvis DeBerry’s analysis. Spoiler alert: read it here from Colorlines.com. I will write a disclaimer that this film has a fair amount of emotional violence, so if that is a trigger for you this might not be the best one to view.
“Sometimes you can break something so bad, that it can’t get put back together.” Welcome to the Bathtub.